Jazz Archive

My Weekend in Harlem: Aloft Hotel, Museums, Fela, Jazz and Red Rooster

My Weekend in Harlem: Aloft Hotel, Museums, Fela, Jazz and Red Rooster

A few months ago I attended an outdoor concert in Harlem that was a part of the Summerstage series of events in public parks throughout NYC. I previously reported about the show here, as I went with camera in hand and took photos and a few video clips of the show. The Miguel Atwood-Ferguson ensemble band was performing and a friend of mine, Brandee Younger, was one of the many musicians playing in the band. After the show there was an after party at hotel “ALoft” on 124th Street, right smack dead in the heart of Harlem. The hotel is across the street from Magic Theater and walking distance to The Apollo. In attending the after party, I was lucky enough to win a raffle where the prize was a free hotel weekend stay at the fairly new hotel. After a few months, I finally took advantage of the offer toward the end of October.

I’ve always been fascinated with Harlem. Growing up reading about all its rich history, especially The Harlem Renaissance with all the great writers like James Baldwin, Zora Neale Hurston, Langston Hughes and painters like Romare Bearden, all the great thinkers like Marcus Garvey and Malcolm X who called this very place home at one point in their life. All the great jazz musicians who lived and played in Harlem and were on the steps of that historical “A Great Day in Harlem” portrait. So to be able stay a weekend at a hotel in the midst of that history was great.

The first day I stayed at the hotel, one thing I found interesting was a group of folks marching down 125th Street in memoriam of Muammar Gaddafi who had just been killed a couple days prior. My thought was of Gaddafi’s historical support of The Nation of Islam and The Nation’s great presence in Harlem. Never a dull moment on 125th Street, it’s such a lively place to be with the vendors lined up all along the strip. I bought some all natural black soap and a new mango butter one I hadn’t seen before from one of the vendors. They were 2 for $5 and it had been a while since I’d used natural body soap. I always remembered it had been good on my skin and keeping it from being dry. I also bought a new “Fela in NYC” about Fela Kuti’s historical visit to NYC in the 80′s to perform at a few venues.

The next day, a Sunday, I looked up the hours of Studio Museum to see what they had on exhibit. I’d always wanted to go this museum, having always passed by it but never going in. My timing was perfect because it was the last day of the exhibition of The Spiral Group. The group was an artist collective who made art inspired by events during the civil rights movement. A few of the artists on display was Romare Bearden, Merton D. Simpson and Charles Alston. The artwork was fascinating, especially since they were abstract works dealing with social issues. Also on display was an interesting photo exhibit by photographer Lyle Ashton Harris, who shot a series of polaroids over a period of 10 years. I hadn’t even planned it this way but I was lucky enough to catch all of this on “Target Free Sundays” so there was no admission.

Just before I left the hotel I’d gotten two recommendations to check out the new restaurant Red Rooster right there in Harlem. I’d never heard of the place and searched online to find out the location and hours. It just happened to be a few blocks away, so I ended up walking there after the museum. Brunch was being served when I got in and it seemed to be packed so I took a seat at the bar to order. Having the taste for a belgian waffle I almost ordered the next best thing -french toast. The waiter said it was good, but I figured I’d try that another time. I decided on the Biscuits and Red Eye Gravy and a side of mashed potatoes which turned out to be amazing. I thought about my uncle who told me a story about how as a kid him and his friends used to run around with biscuits in their pockets, eating them with syrup as if they were candy. One of the funniest visuals I ever got from a story. The dish turned out to be way more than I expected. I anticipated just a couple biscuits with a side bowl of gravy to dip them in. The presentation on this dish was great. The biscuits were sliced across the center, with the bottom halves covered by the gravy served in a bowl and the top halves sitting above the gravy. Sitting next to me was an elderly woman, having witnessed how quickly I was consuming the delicious meal, who asked me what I ordered. She told me she had ordered the smorgasbord but really wanted the crab cakes that were only served for lunch. She eventually introduced herself to me as Blanche Jordan. When I didn’t quite hear her first name, she repeated it to me and said that it was an old name. I joked and said that I knew of one other Blanche, the one from The Golden Girls. She laughed hysterically and that’s when she told me she was 96 years old. It certainly took me for surprise, I’d have never guessed with the way she conversed she was that age. I’d actually never met anyone who had lived that long, in my family or otherwise. Longevity seemed to run in her family, mentioning that she just tried to stay active and up to date on everything going on. She noticed the evolution of Harlem over many years, having been a resident there since she was 19 years old. She became a nurse, going through the nursing program of what would later become The Harlem Hospital Center. Later on after nursing school she told me she attended NYU, furthering her education in nursing. That’s when I told her I had a friend who recently graduated from NYU from their journalism program. Blanche told me that she really liked the faculty there when she was a student and had the option to go to Columbia but it didn’t appeal to her, and it also was too expensive. I began to think what it must have been like for her in the 30’s and 40’s, a Black woman seeking higher education. Then I thought about all of the history she actually lived through in Harlem. The Harlem Renaissance with all the great writers, poets, musicians and artists, she was actually there to witness it while it was happening. The speeches of Malcolm X on the corners of Harlem, there’s a good chance she was right there live in the flesh. It blew my mind. There were so many things I wanted to ask her and of course some of them came after she had already left. I told her my aunt was a nurse as well and that my mother had moved to the city at a young age like she did, but from the south. She immediately suggested that it must have been to escape the environment of the south at that time and added that she never was fond of the south. She was also intrigued when I mentioning that my aunt had also studied natural herbs, bringing up that she had just watched a special on TV about an herb that was good for your memory; Ginkgo Biloba. As we were talking, over walks the chef Marcus Samuelsson. I had only known him as “the celebrity chef”, having no clue but finding out later that he owned the restaurant. Coincidentally just a few weeks prior I there was a discussion at the Brooklyn Museum I wanted to go to that he was a part of along with Mos Def and artist Sanford Biggers. I missed it after tickets sold out, so it was interesting to bump into him in this manner and so I asked him how that event went. I like to call it one of my omens. Marcus had come over to acknowledge Blanche and thank her for stopping by to enjoy brunch. He asked if she had been to the original Red Rooster, in which she had been several times. She had told me earlier that the original Red Rooster speakeasy was located a few blocks down the street and that you had to go downstairs to the restaurant area to eat. This detail seemed rather important to her when she described it, something I’d like to learn more about it’s significance. Marcus said he had created Red Rooster inspired by her generation and thanked her again for coming to support. There was so much love and appreciation for her that by the time her check came to sign a gentlemen across the bar had already paid for her tab. She said that people were always so generous to her and her group of friends when they’re there. They call themselves The LOL’s (Little Old Ladies), one of the funniest things i’ve heard in a long time. After hearing that, I’d come to the conclusion that keeping a good sense of humor has to add a few years to your life.

After I helped Blanche put on her coat, I told her I appreciated the great conversation. After that she walked right out of the door and into the city bus just like everyone else in line. I was so impressed with my experience, I told a friend about it who later came to join me there later that evening for their Sunday night live jazz with the band The Nate Lucas Quartet. That weekend in Harlem was so memorable, even the $60 parking ticket that sat on my windshield the following morning didn’t bother me. Maybe just a little…

FacebookTumblrEmailBlogger PostBlipWordPressStumbleUponShare

Richard Pryor and Gil Scott-Heron on SNL: Two Legends, One Stage

Richard Pryor and Gil Scott-Heron on SNL: Two Legends, One Stage

I recently stumbled across this rare clip of two legends on stage on Saturday Night Live. I had no idea that Gil Scott-Heron was ever on Saturday Night Live and to have him be on the same show as Richard Pryor is just great. These are also two of the funniest and wittiest people I’ve ever known. If you’re not aware of Gil’s comedic genius, take a look at the movie he made Black Wax combining his music, political commentary and witty sarcasm. In the video, Pryor introduced Gil and his band which I believe was The Midnight Band, as he performs the anti-apartheid song “Johannesburg”. In between songs, Pryor says some great jokes about how cool his friend Miles Davis is. Then Gil and the band performs one of my favorite songs of his “A Lovely Day”. Great stuff.

Below is a photo of myself (on the left) back in 2001 with Gil and a friend after one of his shows I attended in D.C.

I got to meet and talk to Gil for a few, he was his regular, funny and personable self. The music he made could only come from someone who cared

so much about people and issues of the world. In my hand, I have the CD I just bought at the show, “From South Africa to South Carolina”.

The songs he performs in this video are on that album. I have a full length story about this photo, which I will probably post later.

FacebookTumblrEmailBlogger PostBlipWordPressStumbleUponShare

Miguel Atwood-Ferguson Ensemble performs with Pharoahe Monch, Zap Mama and Jose James in Harlem

Miguel Atwood-Ferguson Ensemble performs with Pharoahe Monch, Zap Mama and Jose James in Harlem

This past Saturday’s Harlem Stage concert at Annunciation Park was one to be remembered. It was a complete community effort, combining the organizers of the performance at Annunciation Park, Revive Da Live, with the music communities that formed the Miguel Atwood-Ferguson Ensemble. The ensemble consisted of a total of 12 musicians with roughly half being from LA and half from the east coast, primarily NYC. A total meeting of the minds and talents of some of the hardest working musicians and guest performers.

Following the career of harpist Brandee Younger, has given me a greater understanding of the work ethic and dedication involved in the life of a gigging musician. To see the ensemble pull together and perform roughly 20 songs ranging from jazz standards to original compositions and breathe new life into the instrumentals of the late great producer J-Dilla, I can only imagine the level of work involved in accomplishing that Saturday what Miguel once delivered on the album “Suite For Ma Dukes”. In fact, I had the pleasure of meeting and speaking briefly with Miguel at the afterparty for the show and he mentioned that the night before was the only time he had gotten any real sleep in a month. Sacrificing sleep in preparation for the show and organizing with the musicians and performers, all for something you believe in. The reward? The looks on the faces of the people who are watching and enjoying the music that they love, with loved ones.

The tributes to Gil Scott-Heron were filled with great passion and love by Jose James and Marie Daulne of Zap Mama. Gil’s recent passing was a serious blow to my spirits, so it was a great feeling to see Jose James deliver a performance of “Winter in America” nearly identical in tone and hear Marie give a very interesting take on the hauntingly dark “Me and The Devil” from Gil’s most recent album. I was so impressed I recorded two small clips of these performances.

Pharoahe Monch gave an energized and spiritually uplifting performance closing out the show with the song “Still Standing” from his latest album W.A.R.

A full list of the musicians in the ensemble include: Miguel Atwood-Ferguson (Violin), Jamire Williams (Drums), Kenneth Rodgers (Bass), Allakoi Peete (Percussion), Austin Peralta (Keys), Keyon Harrold (Trumpet), Joey Dosik’s (alto sax), Corey King (Trombone), Marcus Strickland (Tenor Sax), Evan Francis (Flute), Brandee Younger (harp) and Nir Felder (Guitar).

Here are a few of the photos I captured at the show:

FacebookTumblrEmailBlogger PostBlipWordPressStumbleUponShare

Harpist Brandee Younger releases debut EP with Trio

Harpist Brandee Younger releases debut EP with Trio

Last summer I had the pleasure to record, on video, a performance by harpist Brandee Younger with her quartet at an outdoor jazz festival in Hartford, CT. As a musician, Brandee is known to defy genres giving a new view to the perception and use of the harp in modern music. Having worked in the field of jazz with the likes of Ravi Coltrane and Charlie Haden and on the other spectrum in the realm of Hip-Hop with Common and producer Ryan Leslie, is enough to show the diversity.

With the debut EP entitled simply “Prelude”, the melding of genres and blurring of musical boundaries continues in the four track opus. From her take on the Wayne Shorter composition “Oriental Folk Song” which features the soothing vocals of Niia, to the reggae inspired “Hortense”. Makes you ponder the questions asked by the late Gil Scott-Heron in his song Is That Jazz?

The album is available on iTunes and features Dezron Douglas on bass, E.J. Strickland on drums, guest vocals by Niia and of course Brandee Younger on harp. The link to download on iTunes is below.

So Alive

FacebookTumblrEmailBlogger PostBlipWordPressStumbleUponShare

The Brandee Younger Quartet Performing Two Alice Coltrane Songs (Video)

The Brandee Younger Quartet Performing Two Alice Coltrane Songs (Video)

This past summer I had the privilege of recording a live jazz performance for harpist Brandee Younger. Brandee is an incredibly talented harpist whose talents spread across multiple genres as effortlessly as the strings she so eloquently plays. You may have heard her playing on a song produced by Ryan Leslie or on the intro to Common’s Finding Forever album. If you’re more into jazz, you might know of her playing alongside 17 other musicians big band style with Bill Lee & His Natural Spirit Orchestra or  on “For Turiya” with Ravi Coltrane and Charlie Haden on the beautiful tribute to his late mother Alice Coltrane.

In this video Brandee with her quartet play a mix of two songs by Alice Coltrane. Starting with “Journey in Satchidananda” and ending with “Blue Nile”. Musicians include:

Brandee Younger – Harp

Stacy Dillard – Tenor and Soprano Saxophone

Corcoran Holt – Bass

Curtis Torian – Drums

more information about Brandee Younger at www.brandeeyounger.com

FacebookTumblrEmailBlogger PostBlipWordPressStumbleUponShare

Gil Scott Heron – Live at the Blue Note NYC review

Gil Scott Heron – Live at the Blue Note NYC review

Initially I wasn’t sure I was going to go to the Gil Scott Heron show at The Blue Note. I asked my homeboy to go with me because he actually has a song that he recorded sampling one of Gil’s songs. I’ve been helping him throughout the process of this album, taking executive producer role and told him it would be a good idea to meet Gil personally if possible. I’d already met and spoke to Gil twice in the past, very cool and funny guy in person. The first time was in Washington DC at a place called Blues Alley where I snagged a photo with him. The second time was in NYC at his annual show for MLK Jr’s B-day at SOB’s. I believe this was in 2003, just before Gil’s legal troubles. This time I brought my original vinyl promo album of “The First Minute of a New Day” with hopes of getting it autographed. Surprisingly, Brian Jackson, Gil’s right hand man was in the house. This is the man behind all the music and piano on the numerous classic albums they’ve released together over a 10-year period. I had a chance to speak to Mr. Jackson who was very cool and autographed my record and even brought me backstage to get Gil to sign as well. Everything worked out great that night. Fast forward to 2010, I found out a week prior that Gil was going to be performing at The Blue Note in NYC. Having just missed his annual show in January, I began to ponder on attending this one. My homie said he probably wouldn’t make it because he’d be getting out of work at the time Gil’s last set of the night started. So just as always, I’m never one to miss a good show just because I didn’t have a cohort to accompany. Then a good friend of mine said she would be around the area once the show ended to hang out, so I was then sold on going for sure.

On the drive up to the area, I spent a good 20 minutes looking for parking within a 5 block radius from the venue. By the time I found parking (extremely close to a fire hydrant) and started walking toward the venue it was 10:25 and the show starts at 10:30. The set I was going to see was the last set on the last night of a two-day performance at The Blue Note. When I get to the venue there’s a line outside where I see a group of folks raising their hands for the doorman to select them to go in. The place was packed. There was a young woman in line with a press photo of Gil and a book hoping to get inside to get it autographed. Unfortunately she left once the doorman let her and her friends in to see what the capacity of the venue was like. Again, it was packed!!! All table seats were taken and there was standing only space available at the bar, which is what I paid for. I could barely see the stage from where I was standing, but I didn’t care I just wanted to hear “The Voice” and feel the vibration of the music.

Gil comes out alone with a blazer and a newsboy hat placed firmly atop his gray filled fro, looking mighty cheerful. He starts the show in his usual fashion, with a few words to catch people up with what’s been goin’ on and his take on a few current events. Anyone who’s ever been to a Gil show knows he is a natural comedic genius as well as a gifted wordsmith. He starts by telling the audience about his new album “I’m New Here” and how it came together. He talked about his first initial meetings with the album’s producer Richard Russell. Russell began to build a rapport with Gil while he was in prison. Gil jokes that he thought Russell was just another inmate coming in and later realized that he MUST be serious to come all the way from London to come see him. He also speaks on some of the reviews of the album where some journalists have said that the album is dark and angry due to him coming out of prison. Gil jokes “If anyone knows anything about prison and inmates, they will know that no one is angry when they get OUT of prison”. Classic Gil humor.

Another great story Gil tells is concerning the book that he’s been working on for several years entitled “The Last Holiday”. The book tells the story of Stevie Wonder’s campaign and tour to make Dr Martin Luther King Jr’s birthday a national holiday. Gil is able to tell this story because he was also a part of the tour and campaign to get legislation passed for the holiday that we now celebrate as a result of their effort. He spoke of one of the tour dates taken place the night that John Lennon was killed. Stevie looked to Gil for advice on how and when to break the news to the audience. All wonderful and great stories before he started his set.

The first song he begins with is the song that has become heavily sampled by several Hip-Hop artists, We Almost Lost Detroit. In particular Gil jokes that when he heard Common’s song “The People”, it was so good that he had to go back and listen to his own song to see if it was still any good. He then points out several other Hip Hop artists like Talib Kweli and Kanye West who have sampled his work and made contributions to music that he appreciated. During the song he brings out the first member of his band for the night, keyboardist Kim Jordan. Jordan was nothing short of amazing and a virtuoso playing with equal parts speed, precision and passion. We Almost Lost Detroit transitions smoothly into the motivational activist’s anthem Work For Peace where Gil tells people “…Peace ain’t gonna be easy…If you say you’re about peace…gotta go to work”. Gil then brings out his other two band members Glenn Turner on harmonica and Tony Duncanson on percussion. They continue to go through songs such as 95 South, the angelic tribute to his daughter “Your Daddy Loves You”, the piano laden “Pieces of a Man” and “Show Bizness” where Gil jokes was NOT a favorite of Arista exec Clive Davis.

One of the most interesting parts of the night was Gil’s introduction into his song “Is That Jazz?” In this introduction Gil breaks down the history of how the term “jazz” came to be. Around the time this music was being made, many of the musicians who were playing the music did not take to the term because of its negative connotation. He goes on to state that the word is a combination of two words combined. The first being “Jism” which is what was referring to the functions and events where folks would come to dance in the big hall style of lindy-hopping. Now the musicians who were playing this style of music, were not playing the traditional style of music at the time. These musicians were not formally trained and were referred to by those who were as “ass musicians”. Eventually the two words were combined and the music was being called “Jas” and later “Jazz”. Gil is known to be a very witty storyteller and often combines humor in his stories, this story shows well that ability. Gil still continues the oral tradition of storytelling in the lineage of the ancient griots. He ended the night off by getting the crowd involved with his huge hit and anti-alcoholism anthem The Bottle. Leaving the stage to a full standing ovation, Gil still encourages those in the audience to continue to do the work that contributes to our society. To find a way to support those who have and still are making a difference in this world. These are the words that resonate with people that make him the poet we all known him to be.

FacebookTumblrEmailBlogger PostBlipWordPressStumbleUponShare
Proudly using Dynamic Headers by Nicasio WordPress Design