Sometime in 2009 I came across the photography of Nastassia Davis. I saw a series of some really interesting self portraits she took that were conceptual in nature. The process in how they were created boggled me, I’d never seen a photographer who shot self portraits that weren’t just snapshots. Her photos reminded my of the painter Frida Kahlo who painted self portraits that were conceptual and reflected experiences in her life. I’ve been meaning to interview Nastassia about her photography and finally got the chance to. Below is the interview:
When did you first become interested in photography and when did you first begin shooting?
I believe what first sparked my interest in photography was while looking through my dad’s photo albums as a little girl. His captured images of my mother in the 80′s within 5 minutes of meeting her and candid moments on Atlantic City’s Chicken Bone Beach back then were simply amazing to me. At 15 years old, I purchase a Nikon FM 10 camera with the money I saved for a year working at a bookstore and practiced taking pictures of nature, family, friends and anything else that interested me.
As a student at Montclair State University, I picked up a darkroom class to continue my interest in photography. I really enjoyed the darkroom process and how the images magically appeared on the photo paper, but made a quick transition into digital imaging when I bought a Fuji FinePix camera. I learned basic digital editing techniques that I tried out on photos I took of myself.
After shooting photos as a hobby, what were some of your first gigs and what was it like?
I was a gopher and 2nd photo assistant for NYC Celebrity Photographer, Kareem Black. I had never been on photo-shoots for major publications before so, at that time, it was quite exciting. Another one was shooting a college friend’s wedding which was a nerve-wracking gig because everyone counted on me to capture these one in a lifetime moments. Thankfully, all went well and I’ve decided to only do those on special occasions. Also, earlier this year, I finally had my first trip out of the county! Traveled to Bern, Switzerland for a commissioned portrait session with a male music artist. I enjoyed that immensely because I met a lot of cool artists and new friends while doing what I love. Traveling is such a great learning experience and I look forward to more future opportunities.
Your “selfies” are amazing, can you explain how the concept initially came about?
Thank you. My first one was created back in 2005. I was bored and wanted to practice my digital editing skills on a photo I shot of myself in a bathroom. I cloned the image and called it “I Got Your Back”.
Your selfies remind me of Frida Kahlo, in the conceptual nature of self portraits… is she an influence of yours?
Wow, you’re the first to bestow such a compliment on me. (smiles) Thank you! I’ve seen some of her compelling self-portraits and is familiar with her “self-love” philosophy. So, yes, that theme has been a reoccurring vein in some of my work. She, however, has not had any direct influence on any one particular “selfie” of mine to date.
Your photo “Yes, We Can!” was used as a part of the Obama presidential campaign, what was it like having your photo be a part of something so important and historic?
Wonderful. “Yes, We Can” was first published overseas in “The Guardian” (U.K newspaper) with other awesomely enthused photographers worldwide as a way to celebrate Obama’s historic campaign. Although I wasn’t properly credited there, I felt happy that my work was chosen. Following that publication, Blurb Books decided to include my photo and others in a book where partial proceeds were donated to help “The Katine Project”. A project who’s mission bought electricity and running water to civilizations in Uganda!
What’s important for you to accomplish with a photo?
It’s important for my fine-art images to be unique to my style and most importantly, tell a story. They don’t have to be the most beautiful, but definitely the most authentic.
What are you currently working on, have in plans or would like to do?
I’m currently working with an amazing little girl who happens to be blind. She’s provided a lot of new inspiration for me spiritually and I thank God for that. Also broadening my portfolio by using other models/ artists. In addition, I’m researching ways to set up my first creative photography workshop teaching amateurs and professionals, alike, how to use minimal equipment to achieve extraordinary and beautiful results with their digital cameras.
Where can people contact you or check out your work?
My official website: http://wwww.nastassiadavis.com. Facebook Page: http://www.facebook.com/pages/Nastassia-A-Davis/37735598061. Flickr: http://www.flickr.com/aarika. I’ve also just opened up a new etsy shop for select photos of mine (http://etsy.com/shop/nasstassiadavis). More things will be added as they become available.
What’s the greatest piece of advice you’ve ever received?
Do unto others as you’d have them do unto you! And, of course, the best photographers are those who strive to do better each time.
Janelle Monae Of Montreal Kevin Barnes Wondaland Arts Society
BD3, formally known as Bob Albert is a writer, photographer, videographer/editor for Take Notice Productions www.takenoticeproductions.com 
Very inspiring interview by an extremely inspiring artist!!!
You are so inspiring Nastassia. The DailyMerger made a great choice to have you interviewed. You’re photos are so unique and one of a kind. I wish you all the best and may God bless you with all your future work.
She is inspiring and a pleasure to experience whenever she puts out a new work!!! I cant wait to see her work in the MOMA!!!
Nas, you are so wonderfully talented. I can’t wait to work with you! I know I’m in for a great surprise.